Reading Comics: The Beginnings

When I moved back home after I graduated from college (in 2000), I indulged myself. I got into NYSNC and the Backstreet Boys, I made friends with strangers on the internet* (some of them I’m still friends with to this day) and I read a lot of Robin comics. And then I stopped. I don’t know why. Maybe it was costing my unemployed self too much money, maybe I just stopped caring. I eventually moved out and in with my sister (in a larger city). We had no AC, so we went to bookstores (remember those?). She read books, I read Sandman. But that, too, stopped. I had a brief love affair with Prince of Tennis (I’m still occasionally plowing through those, though mostly online). But pretty much my comic and manga reading stopped. I moved near Detroit for library school and it was only in 2006 that I even broadened my fiction reading away from science fiction (and into Scandinavian mysteries and YA).

Once I became a librarian, I started to read more graphic novels. I mostly read things aimed at girls (Minx did a great collection of teen-focused female-centric graphic novels), but I sometimes read other things too. The Louvre collaborated with some French artists/authors and put out some graphic novels, so I read those. I read a couple of YA novel comic adaptations (rarely as good as books, though) and random things here or there. But I wasn’t a heavy graphic novel reader, mostly because I was too busy reading YA. A friend started recommending graphic novels to me in 2010, but again it was only an occasional thing. It wasn’t until the end of 2010 (with Locke & Key and Chew) that I started just looking things up on my own.  And then, suddenly, I was reading more. Maybe it coincided with my interest in kpop (though that was at the end of 2011), but I’ve been steadily reading more and more graphic novels.

I know, the subject of this post is comics and I promise I’ll get there, but let me talk about graphic novels. In the library world, we try to keep things simple. Not everyone agrees and some libraries have graphic novel collections, some have comics and some have manga — and some have all three. Over the years I’ve read all of the above, but never seriously and never regularly. But as 2011 went into 2012, I was doing both. I’d forgotten how much I enjoyed manga and discovered a whole new world out there (what with my interest in jdramas and how many of them start as manga or are turned into manga after they’ve been aired). But not comics. Why? It’s complicated.

My exposure to comics, prior to a few weeks ago was limited. Remember those Robin ones back in 2000? Yeah, I don’t either. I also picked up Marvel 1602, which I enjoyed without context. A patron tried to get me to read the Marvel Civil War series, but I wasn’t interested. Even after getting over my anti-RDJ bias and loving Iron Man, as well as the rest of the Marvel verse (though not Spider Man), I wasn’t really interested in comics. Hell, even when I was totally into the X-Men movies, I wasn’t interested in the comics. By the time I thought maybe I was, I felt it was too late. Comics are complicated and I’m a completionist. I need to read things in the right order and I need to read them from the beginning. You can’t necessarily do that with comics, there are too many story lines, too many back issues. I mean, maybe you could, but no one has that time or money — I certainly didn’t. So I quit again.

Until last week. I’d picked up the first volume of the Marvel comic Runaways a few weeks early and fallen in love. but after fighting with Wikipedia and library catalogs, I’d given up because I couldn’t figure out what to request next. Even though, prior to the second Captain America movie coming out, a friend had given me copies of some Cap comics. It wasn’t until a coworker of mine, at my new job, offered to loan me the first six Ms. Marvel issues that I thought about starting again. And start I did. I’ve since read the next two volumes in Runaways and I’m waiting on the remaining issues. And, after sorting out some confusing, I’ve also requested as much of the Young Avengers series as I can.

People often try to get me to like things. Sometimes it works (my return to loving kpop music was one of those things, thanks to my friend J) and sometimes it doesn’t or sometimes it just takes a long time. It took me four months to go through a music-related email from my friend A, because I just wasn’t ready. And the same applies to my interest in comics. I wanted to like comics, I wanted to love them, but every time I thought about reading those Captain America comics I have, it just made me tired. But now? Now I’m ready.

And that means I’m going to blog about it. You’re not going to find anything new here. You might not even find anything interesting, but it’s just a way for me to talk about getting into comics and what reading these means to me. I’ve always loved the medium, now I’m embracing it in all forms. I don’t necessarily know what I’m talking about; after all, I’m coming into this blind. The only history I have is through the movies — and that’s fine. It’s been several years since I really got a new fandom, so I’m ready. I hope y’all are ready for me.

This post is brought to you by this article from The Atlantic:  The Female Thor and the Female Comic-Book Reader

*My first foray into making friends on the internet was in the early 90s, in the pre-web days. I was on MUDs and MUSHs and my first internet friends were a boy from Iceland (we’re Facebook friends now) and another from Germany (I have no idea what happened to him, but I will always fondly remember Mark, because he used to send me letters at band camp). That was only the beginning, and even today, I’m still making friends with strangers on the internet.

Series Review: Death Note (manga)

deathnote-logoA friend of mine, a fellow librarian, recommended this series to me after finding out that I enjoy reading manga. I had heard about it (if you work in a library or known people who like manga, most likely you’ve heard about Death Note) but I didn’t know what it was about. This meant that I was rather skeptical, but completely game. I’m glad I took the risk and my friend’s suggestion — because I completely fell in love with the series.

Death Note is a manga about a teenage boy named Light (well, he’s a teenager in high school when the series starts, though not when it finishes). He happens upon something called a Death Note which he soon learns is a notebook owned by death gods (known in Japanese as shinigami). The gist is that if someone’s name is written in the Death Note, that person dies. Of course, it’s not that simple, there are all sorts of rules but I won’t go into detail — because of spoilers! It’s definitely worth reading the series to find out more.

The stories follows Light as he finishes high school and moves onto college — and what he decides to do with the notebook. This is a spoiler, but Light does decide to use it and in doing so, he ends up in a battle of wits with several different characters.

Death Note was written by Tsugumi Ohba and illustrated by Takeshi Obata. Together, both have created a fascinating character study — not only of Light, but of several of the secondary characters as well as Lights adversaries. One of the things I liked about the writing was Tsugumi Ohba’s ability to change the way I viewed certain characters throughout the whole series. My feelings about Light changed throughout the story and I thought this was especially impressive, considering the medium of the story itself.


My favorite character, though, was an FBI agent from the US who was briefly in the series near the beginning named Naomi Misora. Therefore, I was super excited when my friend told me that there was a spin-off novel about her. Her story, which was hinted at in Death Note was fully told in Death Note Another Note: The Los Angeles BB Murder Cases. The book, though note directly related to the manga series serves as a prequel (though it’s meant to be read after you’ve finished the original manga). It tells the story of one of Naomi Misora’s cases and gives a lot of background on her that wasn’t included in the manga. I absolutely loved it and I’m really glad it exists and was translated into English.

Overall, I would definitely recommend this series to anyone who enjoys manga. It’s probably not for everyone, but I was pleasantly surprised by how much I enjoyed it. Though I’ve heard some negative things about the anime, I’d like to give that a go and, perhaps, watch the live action movies.

Book Review: Kitaro by Shigeru Mizuki (translated by Jocelyne Allen)

1770461108.01._SX450_SY635_SCLZZZZZZZ_I can’t remember where I read about Kitaro, except that it was something that, as a fan of manga, I should read. Which meant that by the time I got the book (through ILL) and finally sat down to read it, I didn’t remember anything about it. That turned out to be a great thing. The book begins with a fantastic and informative introduction by Matt Alt (explaining about the author, the character sin the book, etc). He also shares that the book we have is actually a collection of Kitaro stories and not one long story. The only overarching theme is Kitaro himself and how he solves problems and saves people/the world.

Kitaro is what’s called a yokai (which Matt Alt explains) who is basically a supernatural being from Japanese folklore (you can read more on wikipedia). There are two types of yokai, good ones and bad ones. Kitaro, and his friends (though sometimes they cause mischief) are the good kind. And, of course, the yokai that Kitaro fight are the ones. One of the things I especially enjoyed about Kitaro was that at the end of the book there were two appendices. The first explains and translated different parts of some of the stories that weren’t translated within the comics themselves. The second was a glossary of the yokai that appear throughout the stories. Each part that needed to be defined was marked with an asterisk and a page number, making it easy to flip back and forth.

All of the stories were enjoyable and often humorous. Kitaro almost always comes to the aide of humans who have gotten themselves into trouble with the evil yokai — sometimes it’s the fault of the humans and other times it’s through no fault of their own (some of the yokai are sneaky). And Kitaro himself sometimes finds himself in trouble, he has friends who rescue him, but sometimes he depends on humans as well (in one of my favorite stories from the collection, Kitaro must be rescued, at least in part, by two humans).

The stories are easy to read and the book can be appreciated by readers of all ages (although there’s a tiny bit of nudity whenever Kitaro loses his vest). I really enjoyed this collection and the drawings that helped tell the stories of the yokai and Kitaro’s adventures.

Series Review: Children of the Sea – Daisuke Igarashi

Daisuke Igarashi’s Children of the Sea is a profoundly beautiful five volume manga series that I picked up on a whim (one of my libraries owns the first four, I was able to ILL the fifth). The covers intrigued me, as they are beautiful. In many ways, Children of the Sea is more art than manga. There’s a story, but I felt it was almost secondary to the artwork that fills the five volumes.

Children of the SeaThe story centers on Ruka, a middle-grade Japanese girl who lives with her mother, after her parents separated. But everything in her world is not as it seems. In the first volume, we learn that when she was younger, Ruka saw a fish turn into light and vanish (which sets up the supernatural/fantasy elements that are elegantly woven into the story). This event changes Ruka’s life, though she doesn’t realize this until later. Ruka’s relationship with her parents is tenuous, like any teenager and near the beginning of the novel, she runs away and ends up meeting a boy named Umi. Though they go their separate ways, their paths are destined to meet again, and they do — but this time at the aquarium where Ruka’s father works.

Umi, and his brother Sora, sense something special about Ruka and the three of them become friends. The five volumes are filled with their adventures and artwork that wouldn’t look out of place in a Studio Ghibli production.  Interspersed through the five volumes are stories about these children of the sea and how they have changed people’s lives (I promise, you’ll want to read to find out more) as well as how the sea as a whole has changed the lives of the characters within the manga.

I loved this series because the characters are likable and the artwork is breathtaking. The ending was satisfying, if a little heartbreaking, but at it’s heart, Children of the Sea is a coming of age manga. Everyone grows up, but people also grow together. Igarashi also emphasizes the importance of relationships (friends and family) as well as the need to take care of our waters. Although the setting is like our world and the characters are diverse (from all over the world), he brings them together in a beautiful and thoughtful way.

This manga is not for everyone, especially people who crave a lot of action. But if you’re looking for something beautiful, something that will comfort you, Children of the Sea might be exactly what you need. You don’t need to be interested in manga or comics/graphic novels in order to enjoy this journey or the art that brings it to life.